Towards Reversible De-Identification in Video Sequences Using 3D Avatars and Steganography
Abstract
We propose a de-identification pipeline that protects the privacy of humans in video sequences by replacing them with rendered 3D human models, hence concealing their identity while retaining the naturalness of the scene. The original images of humans are steganographically encoded in the carrier image, i.e. the image containing the original scene and the rendered 3D human models. We qualitatively explore the feasibility of our approach, utilizing the Kinect sensor and its libraries to detect and localize human joints. A 3D avatar is rendered into the scene using the obtained joint positions, and the original human image is steganographically encoded in the new scene. Our qualitative evaluation shows reasonably good results that merit further exploration.
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DOI
10.20532/ccvw.2015.0004
https://doi.org/10.20532/ccvw.2015.0004
BibTeX
@InProceedings{10.20532/ccvw.2015.0004,
author = {Martin Bla{\v z}evi{\' c} and Karla Brki{\' c} and
Tomislav Hrka{\' c}},
title = {Towards Reversible De-Identification in Video
Sequences Using 3D Avatars and Steganography},
booktitle = {Proceedings of the Croatian Compter Vision Workshop,
Year 3},
pages = {9-14},
year = 2015,
editor = {Lon{\v c}ari{\' c}, Sven and Krapac, Josip},
address = {Zagreb},
month = {September},
organization = {Center of Excellence for Computer Vision},
publisher = {University of Zagreb},
abstract = {We propose a de-identification pipeline that
protects the privacy of humans in video sequences by
replacing them with rendered 3D human models, hence
concealing their identity while retaining the
naturalness of the scene. The original images of
humans are steganographically encoded in the carrier
image, i{.}e{.}\ the image containing the original
scene and the rendered 3D human models. We
qualitatively explore the feasibility of our
approach, utilizing the Kinect sensor and its
libraries to detect and localize human joints. A 3D
avatar is rendered into the scene using the obtained
joint positions, and the original human image is
steganographically encoded in the new scene. Our
qualitative evaluation shows reasonably good results
that merit further exploration.},
doi = {10.20532/ccvw.2015.0004},
url = {https://doi.org/10.20532/ccvw.2015.0004}
}
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